Within the contemporary socio-political contexts, and increasing self-surveillance, our freedom and rights are controlled. The boundaries of femininity, that is subjected to this conformity and is idealised; where the body continues to be the physical place of violence, both symbolic and very real, and continuous to appear as an unstable figure.
The reason of the analysis of abject, grotesque through the body, is to find the gaps and leaks within the system. I believe there may be ways to escape borders,that is to come with search and look for new representations.For feminists, artists, and subjects sometimes, it is a try to reappear in the shape of difference, the delight of becoming-multiple, open and changeable. The urge to rethink the ways in order to expand our experience of post-modernism, also encourages us to reconsider the ways in which we understand subjectivity itself. Traditional terms of narrative content or characterisation of women and men as objects of representation, can be reassessed according to Elizabeth Grosz, and new modes of production and analysis, representation and new modes of corporeality can be explored. The grotesque body is open, extended and in change, it is the body of becoming and connected to the rest of the world, it has no borders…A concept about the unlimited transformations of human body. Just like a chameleon, or a virus mutating, like a personality changing. Something new is about to birth, a metamorphosis, an organic complexity.
Work will always be in progress...
Work will always be in progress...
